Wall Street: Money Never Sleeps
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- Director: Oliver Stone
- Writers: Allan Loeb, Stephen Schiff
- Stars: Shia LaBeouf, Michael Douglas and Carey Mulligan
- Release Date: September 2010
- Genre: Drama
- Run Time: 133 min
Gordon Gekko is back.
Oliver Stones 1987 film “Wall Street” had taken its viewers into an exotic world. 23 years later, Oliver Stone returns with its sequel. Apparently this is the first ever sequel Stone has directed. First movie was a huge hit as came at time when financial news was just a news for everybody and suddenly there was this movie on banking that looked like thriller. This time theres nothing exotic about it anymore. Its based on the nightly news on unemployment corporate downsizing.
But, it is that rare sequel that took its time-23 years and not only it advances its story but also has something new to say. Stone and his sawy writers Allan Loeb and Stephen Schiff, have crafted a tale that takes advantage of viewers newfound knowledge and cynicism. Stone has cast his movie well with Shia LaBeouf, Josh Brolin and Carey Mulligan to attract younger viewers, and Michael Douglas return as Gekko can help being a major lure.
The story settles quickly on young proprietary trader Jake Moore (LaBeouf), who just happens to be in love with Winnie Gekko (Mulligan), Gordons estranged daughter. Despite Gekkos attempts to warn Wall Street of the economic downturn and stock market crash no one takes him seriously because of his early crimes. Then Gekko tries to rebuild his relationship with his daughter who always accused him for her brothers suicide. In the mean while, global economy is on the verge of disaster, Jake, a young Wall Street trader joins hands with Gekko on a two tier mission.
Can you win two Oscars playing the same role? An actor rarely gets the opportunity to revive a breakthrough role in a way that allows him to rethink the character and to reflect on where fatal flaws once lay. Douglas does this brilliantly. LaBeouf is top notch. He nicely balances his characters idealism and shrewdness. Mulligan and Brolin deliver strong supporting roles with attention-grabbing characters.
Stone has tried a different way of direction this time. His camera work can be either praised in a great manner or people might be turned off. Either ways, no one can ignore the class he has put in the movie. As stated earlier, camera work is glittering and glossy. Background score is scintillating.
To conclude, I would just say that go for it to experience Gordon Gekko after 23 years and of course the class of Stone in a movie on finance, thrill and banking and the brilliant camera-work!